SAKAMOTO SHINTARO FLAC FREE YURA YURA

She works seamlessly to create tracks with gentle but somewhat eerie vocals and a mixture of diverse musicality. She began making music while living in the UK and began working in earnest in 2017 after returning to Japan. Underground rock legends in their native Japan, these psych-garage rockers are far too unheralded throughout the rest of the world.Shintaro Sakamoto - Love If Possible (2016) Shintaro Sakamoto - Love If Possible (2016) Genre: 2016, Funk, Pop, Japanese, Rock, FLAC / APE, Mp3 Download Shintaro Sakamoto - Love If NTsKi is a Kyoto-based artist and musician. While ‘How To Live With A Phantom’ was the first many around the globe knew of Sakamoto, he has. The album is the follow-up to Sakamoto’s solo debut, the otherworldly folk- pop masterpiece ‘How To Live With A Phantom’ (2012). 'Japanese singer, songwriter and multi-instrumentalist Shintaro Sakamoto returns with a new full-length, ‘Let’s Dance Raw’ on Other Music Recording Co.

At this point their music can even be found in Japan’s famous karaoke bars, allowing patrons to drunkenly experience their own version of the band’s psychedelic freakouts.LP 18.50. In the meantime, they’ve leapfrogged from their own tiny label to various larger indies and finally to the majors, each time gaining wider exposure and more popularity. Their following has grown steadily in the almost 20 years since they began as a four-piece, psychedelic garage band, despite enduring countless lineup changes. Originally a duo of Simon and Takamoto, later expanding to a 4-piece.Yura Yura Teikoku have experienced about as much success as an underground rock group can in their native Japan. Tokyo group with Masaki Takamoto, Yuta Suganuma (Shintaro Sakamoto), Fumi Mori and Justin Simon (Invisible Conga People), active 2000-2002.

While their concerts sell out in minutes in Japan, they’ve only played elsewhere a small handful of times. Yet Yura Yura Teikoku have remained virtually unknown outside of their home land. The album is the follow-up to Sakamoto’s solo debut, the otherworldly folk-pop masterpiece How to Live with a Phantom.

Sakamoto Shintaro Flac Free Yura Yura

Producer You Ishihara Vocals, Guitar Shintaro Sakamoto Words By Shintaro Sakamoto.Sweet Spot begins with its longest track, “2005 Nen Sakairyoko”, a minimalist exploration of bluesy psych-rock. But whereas Acid Mothers Temple and DMBQ utilize walls of noise and swirling instrumentation, Yura Yura Teikoku have streamlined their sound, creating psych-pop that can be quiet and sparse one moment and infectiously catchy the next.Download free Yura Yura Teikoku - Me No Car FLAC album. Underground has a history of adoring Japanese psych rock imports.

“Hate Ningen Ha?” borderlines on B-52’s territory with its catchy, twangy guitar line, and falsetto whooing throughout the verses. “Kyusyo” is this album’s noisiest, with guitars layered to dizzying effects. “Robot Deshita” is built almost entirely on a simple drum beat until tinkling piano and mechanical squeals segue into sci-fi noise about halfway through.Yura Yura Teikoku’s earlier records were much more grounded in garage rock, and there are still a few tracks here that hearken back to that earlier, more primal sound. Frontman Shintaro Sakamoto’s distorted vocals are right up front, though, and as the track progresses, they are joined by the various hums and buzzes that threaten to smother the instruments to death.

The band released five studio albums, one live recording album and two greatest hits albums on Midi.In 2005, Yura Yura Teikoku signed with Sony Japan and released their ninth studio album, “SWEET SPOT”, and a remix 12-inch,“SOFT DEATH / FRANKIE TEARDROP' (Suicide cover). Drummer Ichiro Shibata joined in 1997 to form the current lineup, and the trio soon signed with Midi Records. Whilst renowned and highly influential within Japan, it took them 16 years since their formation in 1989 to play a show outside of Japan, performing in New York City in 2005.Yura Yura Teikoku was formed in 1989 with vocalist/guitarist Shintaro Sakamoto as leader, bassist Chiyo Kamekawa and a succession of other members. They have an eclectic sound usually described as psychedelic rock. Byrom….PitchforkYura Yura Teikoku (ゆらゆら帝国, literally “Unstable Empire”) was a 3-piece band from Tokyo’s underground music scene centered around Kōenji. The band’s voice is unique, and despite borrowing from many American bands from the 1960s and 70s, it’s impossible to simply label Sweet Spot as a Japanese version of American psych-rock…….by Cory D.

In July, Mesh-Key Records released the 12-inch“SOFT DEATH / IT WAS A ROBOT' and brought the band back for a second batch of New York shows, which were even more packed than the first. New and old fans alike packed into the venues to see the band’s one-of-a-kind performance.In June, 2006, the CD single “Into The Next Night” and remix 12-inch“Into The Next Night / You Can’t Fight Fate”were released. In October of the same year, Mesh-Key Records organized two shows for the band in New York (their first shows ever outside Japan), and was welcomed with rave reviews by the local media. The band also released a live album of material from their Midi years titled “na.ma.shi.bi.re.na.ma.me.ma.i” on New York-based Mesh-Key Records.

The group played out frequently at Koenji’s celebrated if tiny UFO Club, for which Sakamoto designed the interior. Each member plans to continue playing music in other projects in the future…Yura Yura Teikoku first formed in 1989 as a four-piece, led by guitarist/ vocalist Shintaro Sakamoto, a graduate in design from Tama Art University. In July 2007, they released the single “Beautiful' and in fall 2007 they released their first studio album in two and a half years, “Hollow Me.” DFA Records combined Beautiful and Hollow Me for a full-length CD release in November 2009.As of March 31, 2010, according to the band’s official website, after 21 years playing together the band has amicably broken up citing a loss of excitement. In May 2007, Mesh-Key Records released the US version of “SWEET SPOT.” In the same year, YURA YURA TEIKOKU went on their first Australian tour. In 2006, the band headlined at various major festivals in Japan and Taiwan.

Yura Yura Teikoku continue to be a popular live band, and these days are able to fill considerably larger venues than in their early years. They also have a Double disc retrospective called 1998-2004. In November 2003 they released Na Ma Shi Be Na Ma Me Ma, which they retailed for the bargain price of 1,000 yen - less than half the normal price of Japanese CDs. These albums were picked up for distribution in the United States by the Brooklyn based Mesh-Key Records, and in recent times the group has been receiving attention in the international media.

They released a demo cassette and two CDs on their own Jigoku (Hell) label and eventually signed to Captain Trip records, for which they recorded a proper album and a live CD. They were fixtures in Tokyo's underground psychedelic scene - they played at the legendary hole-in-the-wall UFO CLUB in Koenji and appeared on premier Japanese psych label PSF's 'Tokyo Flashback' compilations. In May 2005 the band plan to release a new album Sweet Spot…A uniquely Japanese hybrid of Jimi Hendrix, Les Rallizes DesNudes, the Velvet Underground, 60's Japanese pop and the 13th Floor Elevators.Yura Yura Teikoku started as a four piece in 1989. However they do not seem to be overly money minded their shows in April 2005 at Tokyo’s Hibiya Yagai Onagkudo and at Osaka’s Hattori Ryokuchi Yagai Ongakudo were free to the public.

Yura Yura Teikoku were good - Kamekawa Chiyo's hypnotic basslines and Sakamoto's piercing voice distinguished the band from their peers - but material from the early years pales in comparison to their later masterpieces.In 1992 their second guitar player left and the band went through a succession of drummers. Their fan's devotion was a sign of things to come - many audience members mimicked Sakamoto and shaved off their own eyebrows. Friends who attended shows of this era recall being frightened by singer Sakamoto Shintaro, who at the time shaved off his eyebrows and wore his waist-long hair parted down the middle, traditional Japanese ghost-style.